![]() ![]() “The Game” is also a movie that’s most enjoyable as a diagnostic expression of the movies themselves, the power of illusion in motion. Or, if you want to be literal about it, you can think of it as a reminder that real life itself is a game, one played by rules that are made to be broken. You can think of it as a story about the illusory nature of control, and how letting go (or jumping off) can be the most liberating thing someone can do. If you want, you can think of the movie as a more grounded precursor to “The Matrix,” a stress test for reality at a time when pop culture was really starting to push back against the runaway train capitalism of the ’90s. For another, the raw simplicity of the premise - a rich, lonely man played by Michael Douglas is gifted an all-consuming ARG by his impish Sean Penn of a brother - allows it to function as something of a hyper-elaborate Rorschach Test. For one thing, minor works by major filmmakers tend to appreciate in value over time, especially when they’re as clever and slippery as David Fincher’s third feature. There are a few different reasons why “The Game” has seen its stock go skyward over the last decade or so. ![]() Why did these maniacs target this particular couple, and what neighborhood will they be in tomorrow? The answers to those questions continue to keep us awake at night. The wicked games they play are carried out with vivid rage and raw brutality, but this is the rare horror movie that only gets scarier with its final reveal. Liv Tyler and Scott Speedman play a very ordinary couple whose very ordinary relationship drama is interrupted by a knock at the door three masked villains, empowered by nothing but some knives and their sadistic desires, have dropped by to ruin their night. The premise is so unnerving because - unlike a zombie apocalypse or a Texas chainsaw massacre - it could happen to anyone, anywhere. “Fear Street Part 3: 1666” available to stream July 16.īryan Bertino’s directorial debut is one of the smaller-scaled films on this list, but its simplicity is also its greatest virtue. “Fear Street Part 2: 1978” available to stream July 9. “Fear Street Part 1: 1994” available to stream July 2. Here we have three feature-length titles set for release on consecutive Fridays, each of which belongs to a different tradition of horror cinema (some of which share many of the same actors) and all of which appear to have been shot at the harried clip of an episodic production.Īnd while these film-like things strive to function as self-contained chillers, the serialized nature of the entire saga increasingly seeps through until the trilogy just feels like a fancy way of packaging a miniseries where the whole is a hell of a lot greater than the sum of its parts. That story - a frothy but fanged tale of cursed outsiders, cyclical violence, power-mad white men, and virtually every other evil that seems top of mind these days - is plenty of the moment in its subject matter, but even more so in its construction.Īt a time when the border that separates movies and television can seem like a relic from an outdated map, the “Fear Street” trilogy makes those divisions seem more irrelevant than ever. Stine’s young adult horror books of the same name, is that each of its three chapters offers its own full-tilt throwback at the same time as they all bleed together into a wholly modern story. The kitschy genius of Leigh Janiak’s “Fear Street” trilogy, which the “Honeymoon” writer-director has adapted for Netflix from R.L. Here are the seven best movies new to Netflix in July 2021. It’s never a bad time to remind yourself that “Midnight Run” is a masterpiece, or to finally see the light and realize that “Not Another Teen Movie” is too. ![]() ![]() After a few relatively quiet months in the late spring and early summer, things are finally starting to heat up on Netflix, as the streaming giant complements its must-see TV lineup (“I Think You Should Leave!” “Too Hot to Handle: Brazil!”) with its most exciting original film project in a minute: Leigh Janiak’s “Fear Street Trilogy.” Beyond that, Netflix’s July slate is highlighted by the Karen Gillan/Michelle Yeoh action spectacle “Gunpowder Milkshake,” the star-studded Jojo Moyes adaptation “The Last Letter from Your Lover,” and a massive assortment of unseen international titles that run the gamut from Germany’s “Blood Red Sky” (about a plane hijacking interrupted by vampires) to Indonesia’s “A Perfect Fit” (a rom-com about a fashion blogger whose destiny is interrupted by the perfect shoes, and hopefully also vampires).īut since the majority of those new films have yet to be seen, library titles dominate our monthly list of Netflix’s best additions. ![]()
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